Poland
Hope
35mm - colour – 101’
Regia Direction: Stanisław Mucha
Soggetto Script: Krzysztof Piesiewicz
Fotografia Photography: Krzysztof Ptak (PSC)
Montaggio Editing: Jacek Tarasiuk
Musica Music: Max Richter
Interpreti Cast: Rafal Fudalej, Kamilla Baar, Wojciech Pszoniak, Zbigniew Zapasiewicz, Zbigniew Zamachowski, Grzegorz Artman, Jan Frycz, Jerzy Trela, Dominika Ostalowska
Produttore Producer: Reinhard Brundig, Raimond Goebel, Zbigniew Domagalski
Produzione Production: Pandora Film, Studio Filmowe Kalejdoskop
Co-produzione Co- production: Telewizja Polska, Canal+, WDR, HR, ZDF / 3SAT
SYNOPSIS
The 20-year-old Franciszek witnesses the theft of a rare painting from a Warsaw church and records the event with an amateur camera. When he finds out that the burgler is art expert and gallery owner Benedykt Weber, he promises to keep quiet if the painting is returned to where it belongs. Weber however already has a customer, and the obsessively idealistic Franciszek is under all kinds of pressure from those close to him… This story about various kinds of blackmail ties into the work of Polish director Krzysztof Kieślowski: after making the Three Colours trilogy (1993-94) Kieślowski and his favoured screenwriter Krzysztof Piesiewicz planned another triptych, bound to the Christian collocation of faith, hope, and love, or heaven, hell, and purgatory. After the director’s untimely death in 1996, PIESIEWICZ ’s screenplays resulted in Tom Tykwer’s Heaven (2002), L’Enfer (2005) by Danis Tanović, and finally Stanisław Mucha’s Hope.
THE DIRECTOR: STANISŁAW MUCHA
Stanisław Mucha (b. 1970, Nowy Targ) studied acting and in 1994 worked as an actor and assistant director in the National Helena Modrzejewska Old Theater in Cracow. Between 1995 and 2000 he studied at the Konrad Wolf College of Film and Television (Hochschule für Film und Fernsehen) in Potsdam-Babelsberg. In 1999 he received a scholarship to the Akademie Schloss Solitude in Stuttgart. Mucha became famous for his feature-length documentary debut Absolut Warhola (2001 – audience award at the Film Festival Mannheim-Heidelberg) which was shown in the documentary film competition at the 37th IFF in Karlovy Vary. Here Mucha met with screenwriter Krzysztof Piesiewicz and started up the Hope project with him, which he returned to his country to film. He has also directed the feature-length documentaries The Centre (Die Mitte, 2004) and Reality Shock (2005), both were screened at the Karlovy Vary IFF.
DIRECTOR'S NOTE
In my country it’s hard for people to maintain hope. But hope is something that cannot be excluded from life. When I look around myself, it strikes me that if hope did not exist then I would have to quickly invent it.
FILMOGRAPHY
2001 Absolut Warhola (doc)
2004 Die Mitte, (doc)
2005 Reality Shock, (doc)
2007 Hope

